IPE/BC is an independent, non-partisan organization, however we recognize that IPE/BC Associates and guest authors hold a range of views and interests relative to public schools, education issues, and the political landscape in BC. Perspectives is an opportunity for Associates and others to share their ideas in short, accessible essays.
Public School Music Education Deserves a Standing Ovation – And More Funding
May 22, 2025
By Louise Herle
When people talk about ‘important school subjects’ music education is often treated like a tambourine: a necessary component of the concert but easily dismissed if not shaken with enthusiasm. At budget meetings music programs are too often first to be reduced or cut. When we consider music education superfluous, we disregard it at our peril. Fulsome music education programs contribute to sound foundational education curricula. Provincial governments – via their ministry of education and school boards – would be seen to better provide for students were they to ensure quality, fully-funded, free, and accessible music education, regardless of students’ postal code or their families’ household income.
- Music Makes Us Smarter
Research repeatedly shows that music education activates more brain areas in students than almost any other activity. Students use visual-spatial reasoning while reading music notes and engage fine motor skills while playing an instrument. When they learn to listen to music critically, they activate memory, pattern recognition, and math skills. Music education students also exhibit advanced language development and stronger executive functioning skills – like planning, organizing, following instructions and controlling inhibitions – essential skills for managing daily life. Music education strengthens working memory, cognitive flexibility (easily shift from one academic subject to another), self-monitoring (observe, evaluate and check work for errors) and task initiation (practice, avoid procrastination).
- Music Teaches Emotional Intelligence and Social Intelligence
Music education allows students to access and express emotions that they may not otherwise have words or actions for. It helps them to manage their emotions. It also helps students to feel and to understand others’ emotions. When students play in an ensemble, they learn to listen – not simply hear – and they learn to wait for their turn. They learn to support others, and to create and enjoy the harmony that is realized in teamwork. These are life skills that make such students a better friend, partner, co-worker, and citizen. Music education has been shown to teach students to navigate social interactions and resolve conflicts in a positive way, to be more self-aware, and to be more empathetic. They read social cues and thrive.
- Music Is a Group Project
In music ensembles every student plays a part; the tuba player matters just as much as the lead trumpet. The second violinist may not have the spotlight solo, but they sustain the harmony. The student who plays the triangle enhances the overall sound. Group music projects (writing songs, talent shows, forming bands) offer opportunities for creative expression, communication, and high morale. They foster collaboration, responsibility, and humility. No one can opt out without the whole group noticing. Teamwork and synergy rule.
- Yes, There Are Legitimate Careers in Music!
We have all heard the tired expression the ‘…starving artist”. Music education and the music industry offer vast career opportunities, from composition and performance to production, music therapy, technician, sound design, music scores for film, designing music festivals and concerts, repairing instruments, luthier. Music education students may also work as sound engineers, public relations industry experts or musician promoters. Musicians are lifelong learners; they develop transferable skills that employers seek: self discipline, creativity, time management, problem-solving, and public speaking to name a few. Life is richer with musicians, song writers, composers, conductors, music director, DJs, sound engineers, audio engineers, talent managers, booking agents, and teachers!
- Music Connects Us to Culture, History, and Each Other
Music education students develop an appreciation for a variety of cultures and histories by studying composers and international music. They study spirituals, protest songs and ballads that have been passed down through generations. Diverse styles such as jazz, classical, country, soul, singing, reggae, opera, folk, pop, rock, hip-hop, rhythm & blues, EDM (electronic dance music) are all part of a proper music education curriculum. These experiences show students who we are, where we have been, and who we can become. Music is a universal language; it transcends cultural and linguistic boundaries and connects us.
- Some Students Stay in School Only Because of Music Class
For many students, especially those who struggle academically or socially, music class is the reason they go to school. Music class is where they truly engage; they find their passion, their people, and their voice. They find meaning, humour and connection. Reducing or eliminating funding for music education potentially removes a lifeline. Music class inspires confidence and creates belonging. It offers students a chance to succeed outside sometimes rigid constructs of desks, keyboards, pens and paper. Schools with strong arts programs tend to have higher graduation rates, increased student attendance and increased positive community engagement (students practise instruments after school instead of hanging out in a mall). Music help students manage their stress. Since we believe that every student deserves their best opportunity to thrive and succeed, music education programs must be viewed as key components of the overall curriculum.
- Finale
A music teacher in BC public schools for 30 years, I worked at three schools in order to secure full-time status. I taught – and wrote report cards for – over 350 students, three times each year. I conducted five choirs, three bands and taught general Music K-grade seven. That meant three different staff meetings, innumerable parent-teacher meetings, eight festival entries and countless school concerts. My assigned ‘classrooms’ were school gyms, libraries and when lucky, portables. One school year, my meagre budget meant using fishing line to replace ukulele strings; a durable but not melodious remedy. Lunch ‘breaks’ were usually spent driving to the next school. Programs can devolve from quality to quantity; thirty minutes of music per week does not equate quality music education. Public school music education needs to be reconsidered as essential for brains, hearts, and our future, rather than a luxury or bonus that only students in private schools can access (look at a brochure for any private school and you will always see classes for stringed instruments and arts).
Louise Herle is a member of the Sunshine Coast Retired Teachers’ Association and the BCRTA where she currently serves on the Membership and Communications Committees. A graduate of University of Regina (Music), Université Laval, Québec (Linguistics), UBC (B.Ed) and Simon Fraser University (M.Ed), she taught grades K-12 and Adult Ed in Saskatchewan, Quebec and British Columbia. Louise worked on many BCTF committees and served as President, Sunshine Coast Teachers’ Association, for seven years. Louise enjoys teaching piano lessons, playing fiddle music with her grandfather’s violin in Celtic and Bluegrass groups, and playing her French Horn in a Community Orchestra.